Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition Director's Note: Family photographs, according to Roland Barthes, are a desperate means to freeze time and immortalize the family. However, what the family doesn’t realize yet is that, as they smile and pose for the picture, they have already died. 源自:https://www.locarnofestival.ch/festival/program/film.html?fid=e3a878c3-ae17-4570-9736-2c37b917128a
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来自Sirena评价;期待了很久的片子,节奏极佳,主角选的太好,多给一颗星,那种生硬呆萌中二感被卷毛演绎的活灵活现。可惜前半段独特气质在 剧情节奏加快后丧失殆尽。关于表达主题:规则从不是某种普世的法条或客观标准,而是一个组织基于共识达成的内在准则,规则必然为组织服务,规则本身必然带有倾向性,我记得火线里有句台词:A man must have a code,这里的man并非意指男性,而是指参与当前活动的当事人。sensei的honor beneath honor归类于男权语境(真没有其它更有意思的下脚地了吗?)未免有些偏
来自轩辕谕拐送评价; 但是,却必须不屈地继续活着
来自壤驷郧治镀评价;两个演员都 是我喜欢的,绝对实力派的,故事虽然没有太大的新意,但是细节很有味道,一些小的桥段,还是比较有特色的,所以推荐。
来自公仪陨家评价;在这部电影之前我很少有能一口气看下去的黑白电影。电影节奏把握得非常好,完全不会让人觉得无趣。虽然本身讲述的是一个复仇故事,过程却可以称之为欢快的。另外,仁心与冠冕,这个命题非常有意思。母亲年轻时因为爱情抛弃了冠冕,却在年老时又开始怀念。仁心常与贫穷作伴,而冠冕往往与黑暗同形。主角虽然打着复仇的旗号,却不可避免的在追求冠冕的路上陷入了黑暗。另外值得一提的是本片的台词真的非常有意思。
来自诸葛朔仔评价;男二根本就是以暴力手段向男主表白啊哈 哈
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