Murayama Kaita, a Japanese painter, novelist and poet died in 1919 at the age of 22, leaving behind an impressive and time-defying body of work. In his most recent film, Sato Hisayasu offers a surreal, time-crossing, meta-layered essay on the artist, his originality and his legacy Dear Kaita Ablaze brings together a young woman Azami obsessed with Murayama's painting, a young man Saku, who can hear unusual frequencies and claims to be Murayama or his spiritual imprint and a quartet of young performers with psychic abilities. They bond over Murayama’s work which they recreate in performative dance while driving to a mysterious cave called Agartha. Sato Hisayasu (The Eye's Dream, Muscle, The Bedroom), renowned for his pinku and exploration of madness and lust, returns to IFFR. Dear Kaita Ablaze is hyper-dense, obsessive and driven, effortlessly mashing surrealism with sci-fi and mysticism, layering seemingly unrelated events and encounters to bring them together in a monumental climax. – kijA 源自:https://iffr.com/en/iffr/2024/films/dear-kaita-ablaze
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来自公坚诳勘咽空评价;说回电影本身 一些细节第一次注意不到 但是看这遍的时候发现还处理的蛮好的 但是叙事结构上 闪来闪去的形式在一些时候不太恰当(我也不知道我这句话在放什么p)但是就是觉得有的地方有点凌乱
来自Garth评价;印象深刻的,被7-11高管拒绝后,小老板回去想重新设计海苔的名字和包装,想要年轻化韩流化,给 自己海苔取名jaychou,以为杰伦是韩国的……哈哈哈哈哈哈哈哈
来自宗政比瓜杜评价;或许这也在暗示着香港 当年的 失落感和无根感
来自公仪囱攘堤评价;就是那类 单细胞的好 莱坞大片,稍微动动脑子推敲一 下剧情荒诞的逻辑,就会觉得编剧要么是疯了,要么就是在逗你玩
来自公仲放始铝评价;这片子 悲剧了,还没公映蓝光原盘已经偷跑了
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Paulette
2024-08-10 00:28:31